Otherwise, this is the kind of film that you can take or leave. Certainly he burns up the screen here with his usual intensity and never disappoints. It's an entirely low budget production, shot in black and white, that's chiefly of note for being the film that helped propel Vincent Cassel to stardom. LA HAINE is a well-regarded cinema verite-style French film that follows the misadventures of three youths over the course of a single day as they tangle with rival gangs, vengeful police, and various weird characters out on the streets. Reviewed by Leofwine_draca 5 / 10 Shines a spotlight on social issues Now, with a newfound means to gain the respect he deserves, Vinz vows to kill a cop if his friend Abdel dies in the hospital, due the beating he received while in police custody. During the riots that took place a night before, a police officer lost his handgun in the ensuing madness, only to leave it for Vinz to find. Vinz, a Jew, Saïd, an Arab, and Hubert, a black boxer, have grown up in these French suburbs where high levels of diversity coupled with the racist and oppressive police force have raised tensions to a critical breaking point. His vision and performance in The Good Ole Boys, certainly worth-while for fans, should round out his current body of work.The film follows three young men and their time spent in the French suburban "ghetto," over a span of twenty-four hours. Currently TLJ enjoys worthy accolades for his roles in The Valley of Elah and No Country For Old Men, which should lead to inevitable Oscar nominations. What makes this most memorable are the aspects of very good story, memorable performances, and great visuals/sound score.
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We witness familial love and hard decisions. This story falls within the framework of time-honored classics where we get to see the impact of certain choices made and the ramifications as they unfold. The choices he acts upon effect all those around him, and then while his input and decision unfold, he then must decide if he will stick around in this New World to witness the results or return to the wide-open country. His leisurely life amongst cattle, horses and campfires is soon a distant memory. Soon our cowboy is thrust into the new world with new problems.
![o odio 1995 o odio 1995](https://static.filmin.pt/images/media/4291/4/still_3_3_1360x765.png)
After he sojourns back to the land of his roots, a beautiful and memorable story unfolds with the likes of Frances McDormand, Sissy Spacek, Sam Sheppard, Wilford Bremly and the (as far as I know) debut of Matt Damon waltz into the story to reveal hopes, dreams, missed opportunities and current dilemmas.
![o odio 1995 o odio 1995](https://i.ytimg.com/vi/dYRniwZBMk8/hqdefault.jpg)
The story shows us how a cowboy out on the vast range, isolated by big sweeping scenes, with only his horse to keep him company, enters into the new century. He eventually heads home and then we are drawn into a turn of the century frontier settlement juxtapositioned with the old west sweeping sky lines and open ranges slowly encroached by the advent of Westward Expansion and technology. In the opening scenes, we watch a cowboy as he and his horse graze the high country a scene that could occur at any time within our frontier history. It is a classic Western that is as priceless as anything given to us from both Johns Wayne and Ford. The product is a Western equally worthy of mentioning in the same short list as Unforgiven, Silverado, 3:10 to Yuma and recent others. What ensued was The Good Ole Boys as we know it.
O ODIO 1995 FREE
He wanted more than Turner and his execs were offering as the lead actor, but agreed to sign on to the project for less if he could be given free reign to direct, which was a bargain for the price. As I recall from trade mags, back when this flick first came out, TNT approached TLJ to be the lead, but at the time, he was pondering his future in the film industry and was considering directing.